Tuesday, March 3, 2009

Christians, Church, God in the Spotlight on NY Stages


Christians, church and God suddenly are turning up as main characters in shows on New York stages and for the most part, the treatments are part of a balanced debate on Christian and conservative issues.

Works offering a conservative viewpoint don't exactly abound on Broadway, Off-Broadway or at regional theater across the nation -- a situation explored some months ago in a widely discussed piece in the New York Times (read it here). There are a few reasons for this, I believe.

First, an overwhelming majority of the folks deciding what ends up on stage, writing the shows and music or penning reviews that decide which shows are hits or flops, come from a liberal, non Christian viewpoint. This doesn't mean they're not talented or nice people. They are. It just means that it's unlikely conservative or pro-Christian messages are a priority for them.

Second, Christians walked away from theater (and most everything labeled "arts") years ago because they didn't want to be associated with "worldly" influences. The result, however, was that they gave up a chance to have any influence themselves. It's only in the last 15 years or so that Christians and churches have embraced the arts as something gifted by God and as a tool for outreach (music and the movies have a head start on theater in this regard).

Third, Christians and conservative views aren't always welcome in the theater community. Take the fallout a few months back when Scott Eckern, artistic director of the California Music Theater, supported California's Proposition 8 banning same sex marriages. Eckern, a Morman, made a personal donation, in support of the campaign. Soon the entire theater community nationwide was outraged that anyone working in the theater would be opposed to the rights of gays who work in and support the theater. Actors threatened to boycott the theater; producers refused to allow their shows to take stage there; others threatened the theater with action against its tax exempt status for allowing its artistic director to have political view, even though it was personal and not connected officially to the theater at all. As a result, Eckern resigned.

So you have to wonder whether the theater community really is concerned about the lack of conservative options, as decried in that Times article. That's why the recent addition of three Off-Broadway shows offering a Christian "side" to some issues, without the Christians coming off looking like a bunch of bible-thumping, hateful zealots, is very encouraging.

Avow, by Bill C. Davis at the 45th Street Theatre, is a fairly even-handed look at the issue of gay marriage in the church. Read the review here. The Savannah Disputation by Evan Smith over at Playwright's Horizons, explores the idea of evangelism in a humorous script with terrific performances (that's a preview of the review which will post here tomorrow after the show's official opening tonight.) In addition, The Civilians present a really well done musical, This Beautiful City at the Vineyard Theater, about the efforts to establish Colorado Springs as the "evangelical Capital" of the world and the downfall of some Christian leaders like Ted Haggard (the review for this show should be posted later today at http://reflectionsinthelight.blogspot.com.)

All three of these shows are great conversation starters. God's at work on the stages of New York theaters.
-- Lauren Yarger

No comments:

Daily Inspiration

The Blind Side

Read about the real life mom from "The Blind Side."

Lifeway: http://www.lifeway.com/article/?id=169816

Guideposts: http://www.guideposts.com/story/sandra-bullock-blind-side-football?page=0,1

Read Matt Mungle's review of the movie at http://www.buddyhollywood.com/.

There was an error in this gadget

Lauren Yarger, Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

In 2008 she was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater with a Christian perspective for Reflections in the Light (http://reflectionsinthelight.blogspot.com/) and is editor of The Connecticut Arts Connection. She also is a contributing editor for BroadwayWorld.com

She also reviews books for Publisher's Weekly and is a member of the National Book Critics Circle. She formerly was Connecticut theater editor for CurtainUp, a national theater web site bsed in New York and a reviewer for American Theater Web.

She also served as Executive Director of Masterwork Productions, Inc. and worked in arts management for the Bushnell Center for the Performing Arts in Hartford and the Hartford Symphony Orchestra.

She is a freelance writer and member of the Drama Desk, The Outer Critics Circle, The American Theater Critics Association, The League of Professional Theatre Women and The CT Critics Circle.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger lives with her husband in West Granby, CT and has two adult children.

Copyright Notice

All contents copyright © Lauren Yarger 2007, 2008, 2009, 2010, 2011, 2012, 2013. All rights reserved. For reprint permission, contact masterworkproductions@yahoo.com.

Scripture from THE MESSAGE Copyright 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.

Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. Copyright © 1973, 1978, 1984 International Bible Society. Used by permission of Zondervan. All rights reserved.

Twitter Updates

    follow me on Twitter

    Subscribe to This Feed