God's the Dramatic One....
By Lauren Yarger
No, this isn't a rehash of the shows making up the 2008-2009 Broadway season. It's a reflection of what God has done and what I have learned by reviewing those shows.
To say this has been an amazing year is an understatement. If in April 2008 you would have told me that a year from then, I would be a member of the Drama Desk, The Outer Critics Circle and the American Theater Critics Association, I would have laughed at the absurdity of the thought.
God always has bigger plans for me than I can imagine, however, and He has been opening doors that might otherwise have been shut the whole journey. I find that through the experience, I have had a wonderful opportunity to be a witness for Him and to meet many terrific people who work in the theater industry. God really cares about them and He uses theater and all of the arts amazingly to spark conversation, get people thinking and to reach out with his love.
The theater encourages people and gives artists a chance to use the gifts God has bestowed on them to bring people together, care for each other and show people that they are a part of His extended family. He always seems to find ways to communicate His truths.
I’ve learned, or had confirmed, a lot of other things along the way too and I thought you might enjoy reading them here.
1. New Yorkers are friendly people. Nationwide, they suffer from a reputation that casts them as uncaring, rich snobs, but honestly, everyone I have met in the city has been terrific. If anyone ever needs help, New Yorkers are right there to lend a hand, whether it’s directing tourists to landmarks or to the right subway or helping someone who has tripped and fallen get back up on their feet to resume walking in the busy streets.
2. Broadway’s theaters are beautiful. Each one is different with wonderful architectural details inside and out. They really are treasures.
3. There are a lot of good shows on Broadway and off. Broadway produced more than 40 shows in the 2008-2009 season grossing $943.3 million. Off and Off-off-Broadway shows offered hundreds of more opportunities to see theater. Of the many shows I reviewed (I lost count), most I liked.
4. Press agents are very hard-working people. They seem to work all around the clock and somehow manage to get us all to the right seats at the right show on the right day, most of the time, showing up in person to do it. Amazing.
5. I drove into the city and lived to tell about it. I always have taken mass transit into the city. I’ll drive in any other city (except Washington, DC) but don’t ask me to drive into Manhattan. There’s just something about it that, well, makes me fear for my life. I did have to drive in twice this season and I survived, much to my surprise. But that doesn’t mean I want to do it again. Ever.
6. I can take the subway and not end up in Brooklyn. Prior to this season, I was a cab person for any trips within the city that are too far to walk. The Fringe Festival last summer converted me, very quickly, as it is almost impossible to make it from one venue to the next in time for shows without hopping on the subway. I didn’t end up in Brooklyn, like I had feared I would, even when on a Brooklyn-bound train. I’m now pretty adept at train hopping, and the website HopStop.com has become my best friend, though I still enjoy walking whenever it’s possible.
7. The number 10:22 makes me very happy. This means I have made the early train from Grand Central after a show and will get home at 1:30 am instead of 2:30 am. I love matinees, 90-minute shows with no intermission and Tuesday shows that start at 7.
8. There aren’t enough cheap places to eat in the Broadway district or enough places to sit.
9. The Nederlander Theater has the BEST women’s rest rooms.
10. Mentors are very important. I am blessed to have two: Retta Blaney and Andy Propst, for whom I give thanks daily and without whom, this past year would not have been possible.
Welcome to the place for news, reviews and inspiration for Christian artists of all genres.
Tuesday, June 2, 2009
The Theater Year in Review
On the way to a show.
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Daily Inspiration
The Blind Side
Read about the real life mom from "The Blind Side."
Lifeway: http://www.lifeway.com/article/?id=169816
Guideposts: http://www.guideposts.com/story/sandra-bullock-blind-side-football?page=0,1
Read Matt Mungle's review of the movie at http://www.buddyhollywood.com/.
Lifeway: http://www.lifeway.com/article/?id=169816
Guideposts: http://www.guideposts.com/story/sandra-bullock-blind-side-football?page=0,1
Read Matt Mungle's review of the movie at http://www.buddyhollywood.com/.
Lauren Yarger, Bio
Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.
Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.
In 2008 she was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater with a Christian perspective for Reflections in the Light (http://reflectionsinthelight.blogspot.com/) and is editor of The Connecticut Arts Connection. She also is a contributing editor for BroadwayWorld.com
She also reviews books for Publisher's Weekly and is a member of the National Book Critics Circle. She formerly was Connecticut theater editor for CurtainUp, a national theater web site bsed in New York and a reviewer for American Theater Web.
She also served as Executive Director of Masterwork Productions, Inc. and worked in arts management for the Bushnell Center for the Performing Arts in Hartford and the Hartford Symphony Orchestra.
She is a freelance writer and member of the Drama Desk, The Outer Critics Circle, The American Theater Critics Association, The League of Professional Theatre Women and The CT Critics Circle.
A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger lives with her husband in West Granby, CT and has two adult children.
Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.
In 2008 she was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater with a Christian perspective for Reflections in the Light (http://reflectionsinthelight.blogspot.com/) and is editor of The Connecticut Arts Connection. She also is a contributing editor for BroadwayWorld.com
She also reviews books for Publisher's Weekly and is a member of the National Book Critics Circle. She formerly was Connecticut theater editor for CurtainUp, a national theater web site bsed in New York and a reviewer for American Theater Web.
She also served as Executive Director of Masterwork Productions, Inc. and worked in arts management for the Bushnell Center for the Performing Arts in Hartford and the Hartford Symphony Orchestra.
She is a freelance writer and member of the Drama Desk, The Outer Critics Circle, The American Theater Critics Association, The League of Professional Theatre Women and The CT Critics Circle.
A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger lives with her husband in West Granby, CT and has two adult children.
Copyright Notice
All contents copyright © Lauren Yarger 2007, 2008, 2009, 2010, 2011, 2012, 2013. All rights reserved. For reprint permission, contact masterworkproductions@yahoo.com.
Scripture from THE MESSAGE Copyright 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.
Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. Copyright © 1973, 1978, 1984 International Bible Society. Used by permission of Zondervan. All rights reserved.
Scripture from THE MESSAGE Copyright 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.
Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. Copyright © 1973, 1978, 1984 International Bible Society. Used by permission of Zondervan. All rights reserved.
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