We received this information from Cheryl Cutlip, founder of Project Dance and recipient of the 2009 "The Lights Are Bright on Broadway" Award from Masterwork Productions:
Dear Dancers,
More than 10 years ago I felt a call deep in my heart to do something with dance that would change the world. Truthfully, I never imagined that Project Dance would go beyond its first year in New York City. Shortly after the events of 911 we mounted a stage in Times Square and danced for more than 10 hours in the pouring down rain. A few friends joined us and together we believed that hope and healing would refresh those who passed by our stage.
As I look at the calendar of events for 2011 I realize that many of us around the world share the same heartfelt call to impact culture through the language of dance. I'm honored to continue this important work and look forward to meeting you along the way. Our event coordinators in each city will welcome you with open arms and seek to encourage you in your own dance journey.
Sincerely,
Cheryl Cutlip
WHAT IS PROJECT DANCE?
Dance is visual. The best way to learn about the heart and soul of Project Dance is to watch our promo video.
WHO CAN PARTICIPATE IN PROJECT DANCE?
Project Dance has a vision to unite dancers who desire to “PERFORM WITH INTEGRITY TO INSPIRE”. Whether you are a professional dancer, student, teacher or choreographer, a company of dancers, a studio, or college ensemble, Project Dance has a place for you.
WHY SHOULD I ATTEND PROJECT DANCE?
Dancers who attend Project Dance believe that their dance makes a difference. Dance has purpose beyond the steps and is an ever growing and changing form of expression within them. They also desire to network with other dancers who are like-minded and seek to build community among dancers worldwide. These dancers have a strong desire to train their bodies to their fullest potential. One of the other defining characteristics of dancers who attend Project Dance is the hunger to positively impact culture through artistic integrity. This movement of dancers seeks to bring hope and healing to others through the universal language of dance.
If this speaks to your heart…COME TO PROJECT DANCE!!!
HOW DO I REGISTER?
Project Dance will provide a registration form through our website in January. Registrations are due 1 month prior to the event date.
(For example if you are attending the event in London on June 3-5-the registration is due on May 3. If you are attending Penang on Nov. 25-27-the registration is due on Oct. 25.)
While you may register any time before the deadline we do require you to postmark your registration form by the deadline.
You may submit your registration materials via email at info@projectdance.com or mail them to:
PROJECT DANCE, 520 Eighth Ave., Suite 329, New York, NY 10018
WHAT IS THE REGISTRATION FEE?
Houston $199
Orlando $199
New York $209
London $199US
Washington DC $179
Penang, Malaysia $109US
Brisbane, Australia $179US
Registration fee does not include transportation, food, or accommodation. Payment method for London, Penang and Brisbane is credit card only.
WHAT IF I HAVE OTHER QUESTIONS?
Our desire is to assist you with any and all questions regarding a Project Dance event. The best way to reach Project Dance is by email at info@projectdance.com
We will be updating event details on our website as they become available. www.projectdance.com
CALENDAR OF EVENTS
HOUSTON MARCH 4-6
ORLANDO APRIL 1-3
NEW YORK CITY APRIL 15-17
LONDON JUNE 3-5
WASHINGTON DC AUGUST 19-21
PENANG NOVEMBER 25-27
BRISBANE TBA
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Daily Inspiration
The Blind Side
Read about the real life mom from "The Blind Side."
Lifeway: http://www.lifeway.com/article/?id=169816
Guideposts: http://www.guideposts.com/story/sandra-bullock-blind-side-football?page=0,1
Read Matt Mungle's review of the movie at http://www.buddyhollywood.com/.
Lifeway: http://www.lifeway.com/article/?id=169816
Guideposts: http://www.guideposts.com/story/sandra-bullock-blind-side-football?page=0,1
Read Matt Mungle's review of the movie at http://www.buddyhollywood.com/.
Lauren Yarger, Bio
Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.
Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.
In 2008 she was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater with a Christian perspective for Reflections in the Light (http://reflectionsinthelight.blogspot.com/) and is editor of The Connecticut Arts Connection. She also is a contributing editor for BroadwayWorld.com
She also reviews books for Publisher's Weekly and is a member of the National Book Critics Circle. She formerly was Connecticut theater editor for CurtainUp, a national theater web site bsed in New York and a reviewer for American Theater Web.
She also served as Executive Director of Masterwork Productions, Inc. and worked in arts management for the Bushnell Center for the Performing Arts in Hartford and the Hartford Symphony Orchestra.
She is a freelance writer and member of the Drama Desk, The Outer Critics Circle, The American Theater Critics Association, The League of Professional Theatre Women and The CT Critics Circle.
A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger lives with her husband in West Granby, CT and has two adult children.
Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.
In 2008 she was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater with a Christian perspective for Reflections in the Light (http://reflectionsinthelight.blogspot.com/) and is editor of The Connecticut Arts Connection. She also is a contributing editor for BroadwayWorld.com
She also reviews books for Publisher's Weekly and is a member of the National Book Critics Circle. She formerly was Connecticut theater editor for CurtainUp, a national theater web site bsed in New York and a reviewer for American Theater Web.
She also served as Executive Director of Masterwork Productions, Inc. and worked in arts management for the Bushnell Center for the Performing Arts in Hartford and the Hartford Symphony Orchestra.
She is a freelance writer and member of the Drama Desk, The Outer Critics Circle, The American Theater Critics Association, The League of Professional Theatre Women and The CT Critics Circle.
A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger lives with her husband in West Granby, CT and has two adult children.
Copyright Notice
All contents copyright © Lauren Yarger 2007, 2008, 2009, 2010, 2011, 2012, 2013. All rights reserved. For reprint permission, contact masterworkproductions@yahoo.com.
Scripture from THE MESSAGE Copyright 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.
Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. Copyright © 1973, 1978, 1984 International Bible Society. Used by permission of Zondervan. All rights reserved.
Scripture from THE MESSAGE Copyright 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group.
Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. Copyright © 1973, 1978, 1984 International Bible Society. Used by permission of Zondervan. All rights reserved.
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